"Tudo que nóiz tem é nóiz": um olhar antropológico para produção intelectual e artística negra através do documentário amarelo

Abstract

This work intends to take an anthropological look at the documentary AmarElo – é tudo pra ontem by rapper Emicida and understand how the artistic, intellectual and historical elements present in the work relate to four points of black intellectual thought, which are epistemicide, epistemic fracture, epistemology black and escrevivência. Through these concepts and with the help of black authors, I intend to weave a discussion about different forms of violence and different forms of resistance presented in the documentary, which uses the audiovisual as a tool to connect with the public. I intend to present a discussion that seeks in the black intelligentsia the necessary elements to understand the paths taken by the audiovisual work. The monograph also deals with the perception of interlocutors about the documentary, how the work relates to the daily lives of these people and how they were impacted. Through five chapters I seek to position the reader inside and outside the documentary, seeking to relate the work with external elements and mainly I seek to bring the black subject as a conductor of its history.